Writing
skills, in a sense, are merely reading skills in graphic form.
There are no excellent
writers who are not also excellent readers!
It all
begins with reading; actually, reading and writing should be taught
together, as they are forms of each other.
But
writing is much more than memorizing rules of grammar and
punctuation. Is a carpenter merely someone who knows how to cut wood
and pound nails? or is he one who can skillfully build for you that
fine home?
Do you
see the difference?
Writing is
more than the sum of its parts, mere mechanics of language – it includes
that, but such view, without more, suggests the work of
the technician,
the duties of that slave we discussed,
a lower-level function of that first column in Adler's
learning-teaching chart.
Writing, like building that fine home, is a
creative process; even so, it is more than offering something
"different," the next new thing. Some people think that good
writing is trying to be clever, original. Not necessarily.
For you to become the kind
of writer that people will want to read, you will need something to
say… something worthwhile to say... something worth
reading… something that others will want to know about.
Listen
to the great F. Scott Fitzgerald’s advice to
writers:
-
"To
have something to say is a question of sleepless nights and worry
and endless ratiocination of subject - of endless trying to
dig out the essential truth, the essential justice. As
a first premise you have to develop a conscience, and if on
top of that you have talent, so much the better. But if you have
talent without the conscience, you are just one of many thousands
of journalists."
Being clever,
possessing “talent,” whatever that is, comes second to having
something worthwhile to say; a “conscience,” says Fitzgerald.
Never
shy away from a subject because, as you might see it, so many others
have already expressed themselves there. Yes, we have heard from
these others… but we have not heard from you!
And we want to know the particular insight that
only you can bring to us. What is “the essential truth, the
essential justice,” as Fitzgerald puts it, that springs from your soul? When you
find that message, when you learn to “draw it out,” speak to us about
it in clear language.
-
Cleverness is fine, if it springs naturally
from your deepest self - but do not try to be clever, per se; instead,
try to be clear.
Help us to see what you saw in your
moment of ecstatic vision, that time of discovery when you caught a glimpse of
“the essential truth, the essential justice.” Clearly communicate to us your sense of wonder and
excitement regarding your findings.
And if you can do that, we just might honor you,
and your writing, forever.
Most
writers, offering their wares to the public, even those who turn out
pages by the truckload, often have nothing to say, and take a long
time saying it… nothing of enduring value to say… nothing of
universal and pressing interest to say… they answer none of our
questions of high moment… and, like yesterday’s newspaper, their
so-called writing will soon adorn the bottom of a
birdcage.
This
kind of writing will not take you to where you want to go in
life.
Writing… effective writing… is a means of artfully
presenting information; of packaging your substantial thought, your
“essential truth,” for public consumption.
And how
shall we bring up from the depths of ourselves Fitzgerald’s
“question of sleepless nights,” something worthwhile to say,
something that others would be willing to read?
Look
again at Adler's chart. Columns two and, especially, three
represent the kinds of learning and teaching designed to “draw out”
from you, from the depths, that gold which lies hidden
below.
It is
possible to learn how to write so that others will want to read your
words… which, in truth, means… so that
others will want you!
The
methods of such engagement are very similar to those governing the
art of speaking. And we shall continue this discussion on next
page.
But
before we move to that section, allow me to direct you to examples
of my own writing. My Word Gems
website, along with famous quotes, features my Personal Statements, essays
on a variety of topics. For the moment, I will merely suggest that
you glance at the titles of the dozens of articles. The first ones
seem harmless enough, innocuous tributes to my parents and favorite
uncle. But do not be deceived. As you make your way down the list,
more and more, I offer titles that will tear at one’s universal
fears, hopes, and longings.
As a
writer, it is my purpose to so devise a title as to defy, and dare,
any would-be peripatetic eye to ignore the universal questions
posed! Each title attempts to proclaim… “read this or
die!”
Have a
look at my readers’
comments about these articles. You will find praise of the
highest form; praise that is more generous than true; indeed, some
of the more rabid accolades I have decided not to print.
All of
this introduces an extremely important point that I shall further
develop with you in private consultation… if you package your
information, “the essential truth, the essential justice,” of which
Fitzgerald spoke, in terms of Universal Longings, Universal
Questions - the Great Ideas, as Dr. Adler would have said. You will
help your readers “draw out,” from their own depths, that
which has been long buried.
They,
in a very real sense, will teach themselves, as your insights will
resonate so deeply with Their Own HiddenTruth.
And, in
this process of self-discovery, they will give you the
credit… tell you what a genius you are… as you help them verbalize
that amorphous discontent brooding in their owns hearts,
those same Universal Questions that they, too, have struggled
with... but, even though you will be telling them nothing that
their own deepest selves do not already know, they will give you the
credit...and
will call you... a great a
writer!